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Martina Cinotti (b.2000, Monza) lives and works between Milan and her hometown. Her artistic practice explores the human body as a permeable, shifting interface between subjectivity and environment.

Through painting, she investigates how visual culture has historically shaped and often distorted the representation of the human form, especially the female body, revealing the underlying social, political, and cultural dynamics of these choices.

Cinotti’s work dissolves the boundaries between body and landscape, giving form to a sensorial dimension where identity becomes secondary to perception.

Her figures emerge or recede into natural elements branches, water, earth, as if the skin itself could merge with the world. The body, in her vision, is no longer a defined object but a mutable field, suspended between visibility and erasure, presence and disappearance.