My work explores space and perception through immersive environments that invite viewers to analyze perceptual devices, experiment with their own perceptions, and explore their imagination. The postcards I'm sending are screenshots from two video projects.

Landings is a series of scenes filmed with a digital microscope, framed so closely that flowers (here, Eryngium) become unrecognizable, taking on a seemingly supernatural appearance. Landscapes, sound, and camera movement work in symbiosis, evoking our interdependence and inseparability from what we commonly call "nature."

Infinite Structures pushes video-editing software beyond its stable limits through continuous zooming on repetitive patterns, revealing glitches that are direct traces of the image recalculating itself. It functions both as an analysis of a digital device and as an abstract, immersive experience open to interpretation.