In my artistic practice, I explore and expand the traditional notion of landscape, approaching it not as a representation of the natural world but as a symbolic, bodily, and emotional space. My work transforms the landscape into a tool for reflection and evocation, shifting from the descriptive toward the sensory and the intangible.

Guided by an intimate and poetic gaze, I move between figuration and abstraction, combining painting, drawing, and installation. Through minimal gestures and an economy of means, I seek stillness amid the noise of an over digitalized world, investigating the relationship between matter and perception, between what is seen and what is suggested.

Light, shadow, emptiness, and surface become structural elements that shape inner, silent landscapes. My practice questions conventional codes of landscape representation and expands the boundaries of painting beyond the figurative. I conceive the pictorial as an expanded field where time, memory, and presence intertwine, and where the image is not meant to describe but to activate a sensory and contemplative experience.