My practice centers on contemporary figurative painting and the expressive potential of the human body. I approach the figure as a choreography of gesture, where posture, rhythm, and movement become a visual language capable of conveying emotion, tension, and narrative.

The female figure frequently appears as the protagonist in my work. I am interested in femininity as a complex and shifting presence rather than a fixed image. My characters inhabit ambiguous spaces where elegance, humor, and vulnerability coexist, creating scenes that feel both intimate and subtly theatrical.

Formally, my paintings are constructed through the dialogue between color and line. Fluid contours and bold chromatic contrasts shape bodies that are sometimes elongated or slightly distorted, allowing gesture and emotional resonance to emerge beyond strict realism.

Through this visual language I explore the poetics of gesture and the silent theatre of the human figure.