Through painting, I explore transient and ambiguous states of the female experience. Drawing on the female gaze and the body as a vessel of lived experience, I reflect on comparisons imposed by society—compliments, insults, and sexualization. I interweave these with the Middle Ages as a space of early resistance, ritual, and symbolism. I am also interested in color theory and installation. My work connects personal and collective experience, creating a space for presence and authenticity.