Christiane Rokahr — Correspondances #1
Christiane Rokahr — Correspondances #1
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First Work: On the way
... portrays a mother walking with her two young children. Rather than telling a specific story, the painting focuses on a familiar moment of everyday life. Through loos brushwork and an open pictorial space, the figure becomes less portraits of individuals than images of care, movement and shared existence.
Rokahr transforms an ordinary scene into a reflection on human relationships. The painting quitely asks how we accompany one another through life, balancing responsibility and freedom without offering a definitive answer.
Second work: Lützerat No5
...is a part of a seven-pieces series inspired by the evacuation of the German village Lützerath. Rather than documenting political events, the painting concentrated on the human dimension of displacement. The children appear vulnerable yet dignified, suspended between loss and resilience.
The work speaks about the fragility of belonging. Instead of illustrating protest, it invites to consider what remains when places disappear but human relationships endure.
Third work: Friendship
...decipts two people seated side by side. Their closeness is expressed less through gesture than through their shared presence. Layers of colour dissolve clear boundaries, allowing the relationship itself to become the true subject of the painting.
Rokahr understands friendship not as an ideal but as a lived experience of presence, trust and mutural recognition. The painting asks how closeness can exist without possession and how relationships shape our sense of self.
Description
Description
First Work: On the way
... portrays a mother walking with her two young children. Rather than telling a specific story, the painting focuses on a familiar moment of everyday life. Through loos brushwork and an open pictorial space, the figure becomes less portraits of individuals than images of care, movement and shared existence.
Rokahr transforms an ordinary scene into a reflection on human relationships. The painting quitely asks how we accompany one another through life, balancing responsibility and freedom without offering a definitive answer.
Second work: Lützerat No5
...is a part of a seven-pieces series inspired by the evacuation of the German village Lützerath. Rather than documenting political events, the painting concentrated on the human dimension of displacement. The children appear vulnerable yet dignified, suspended between loss and resilience.
The work speaks about the fragility of belonging. Instead of illustrating protest, it invites to consider what remains when places disappear but human relationships endure.
Third work: Friendship
...decipts two people seated side by side. Their closeness is expressed less through gesture than through their shared presence. Layers of colour dissolve clear boundaries, allowing the relationship itself to become the true subject of the painting.
Rokahr understands friendship not as an ideal but as a lived experience of presence, trust and mutural recognition. The painting asks how closeness can exist without possession and how relationships shape our sense of self.
Authenticity
Authenticity
The artwork comes with a Certificate of Authenticity signed by the artist.
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