Skip to product information
1 of 1

Aline Smithson

Arrangement in Green and Black #14

Arrangement in Green and Black #14

Regular price $900.00
Regular price Sale price $900.00
Sale Sold

Description

11" x 14” in on 13" x 19” paper 

28  x 35 cm on 33 x 48 cm

Edition of 12 

2005

The series, Arrangement in Green and Black, Portrait of the Photographer’s Mother, had serendipitous beginnings.  I found a small print of Whistler’s painting, Arrangement in Grey and Black: Portrait of the Painter’s Mother, at a neighborhood garage sale.  As I stood among the piles of discarded belongings, I started thinking about the idea of portraiture, the strong compositional relationships going on within Whistler’s painting, and the evocative nature of unassuming details.  I wanted to create something influenced by the painting, but I wasn’t sure what.  There seemed to be an abundance of garage sales that weekend, because shortly after, I found a leopard coat and hat, a 1950’s cat painting, and what looked like the exact chair from Whistler’s painting.  I knew I was on to something.$

I decided to explore Whistler’s painting through humor and the connections between the wardrobe and the props.  I also looked at this series as a way to utilize all the things I loved doing - spending time with my proper, yet hilarious mother, going to garage sales and swap meets, searching ebay, styling sets, taking photographs, and painting.  My mother was a willing model but could not understand why anyone would be interested seeing her dressed up as Elvis or wearing a bathing suit.

Arrangement in Green and Black incorporates traditional photography techniques yet becomes richer with the treatment of hand painting.  It is my intent to have the viewer see the work in a historical context with the addition of color, and at the same time, experience Whistler’s simple, yet brilliant formula for the composition.

The series took two years to complete photography, and then another 6 months to paint the images. My patient 85-year-old mother posed in over 20 ensembles, but unfortunately passed away before seeing the finished series.  I am grateful for her sense of humor and the time this series allowed us to be together.  In retrospect, I would never have imagined that this series, photographed against my garage and made up of garage sale props, would be exhibited and published all over the world.  A fact that I’m sure would have delighted and amazed my mother.

Authenticity

The artwork comes with a Certificate of Authenticity signed by the artist.

Shipping & Returns

We offer FREE shipping on all products. If for any reason you are not satisfied with your purchase, you may return it within 7 days after delivery date and receive a full refund for the price of the product. Return shipment costs are the responsibility of the customer.

Please note : Custom duty and import VAT may apply

Ask a question

We will be glad to answer you. Please email us at: info@thecurators.com

View full details

Aline Smithson is an interdisciplinary artist, educator, editor, and filmmaker based in Los Angeles. She holds a BA in Art from the University of California, Santa Barbara, where she studied in the College of Creative Studies under the influence of artists such as John Baldessari and Ed Ruscha. After a career as a New York fashion editor working with leading figures in photography, she returned to Los Angeles and her own artistic practice.

Her work has been exhibited internationally at institutions including the National Portrait Gallery in London, the Smithsonian Air and Space Museum, the Griffin Museum of Photography, and major museums and festivals across the United States, Europe, Asia, and South Korea. Her photographs are held in public collections and have been published in The New York Times, The New Yorker, Harper’s, and PDN.

Smithson is the Founder and Editor-in-Chief of Lenscratch, a leading daily journal on photography, and has taught internationally since 2001. She has received multiple awards for her contributions to photography and education, including recognition from the Griffin Museum of Photography, CENTER, and the Lucie Foundation.

Her monographs include Self & Others: Portrait as Autobiography and Fugue State, both widely collected by major museums. She has been a finalist for the Taylor Wessing Portrait Prize and was named a Hasselblad Heroine. Smithson works exclusively with film, with the exception of her iPhone.

Visit Artist’s Page